Sunday Chukwu is a sculptor whose work combines both art and function. He’s created several striking metallic gates that serve practical purposes while showcasing artistic expression. His latest creation, a massive Ijele masquerade sculpture, is set to be installed at the Obiagu roundabout. There’s even talk of renaming it the Ijele roundabout to honour this monumental piece.
Chukwu’s art goes beyond aesthetics. He uses it as a tool for social change. By placing this sculpture in a public space, he hopes to inspire people to reconnect with and celebrate their cultural heritage. Chukwu advocates for the pre-colonial Igbo civilization, which he believes has been overshadowed by Western influence and the spread of religion.
His sculpture is rich in detail, featuring intricate Uli and Nsibidi symbols. These symbols represent timeless Igbo values like good fortune, fertility, and well-being. Chukwu sees his work as more than just art; it’s a message. “I want to tell the stories of our people,” he says. “This is my kind of political move.”
Sunday Chukwu’s Work of Art – The world’s Largest Ijele Masquerade
The Ijele Masquerade is the largest of its kind in Sub-Saharan Africa. It’s an important tradition of the Igbo people in Nigeria and has been recognized by UNESCO as an intangible cultural heritage that needs urgent protection. This spectacular masquerade is performed during celebrations, funerals, and other special events, mainly in the dry season. It’s believed to invoke fertility and ensure a good harvest.
The Ijele masquerade has deep roots in the history of Anambra State in southeastern Nigeria. Its origins trace back centuries to the town of Umueri. According to oral history, it was from Umueri that the first Ijele mask was introduced to nearby communities like Aguleri, Nsugbe, Ogbunike, Nando, and Awkuzu. The Umuatuolu group from Umueri played a key role in spreading the Ijele tradition to other villages, including Igbariamu and Nteje, extending its reach beyond the Omabala region.
